Monday, 1 September 2008

Download Organic Audio mp3






Organic Audio
   

Artist: Organic Audio: mp3 download


   Genre(s): 

House
Dance

   







Discography:


Dirty Boy (Serge Santiago Remixes) CDS
   

 Dirty Boy (Serge Santiago Remixes) CDS

   Year: 2005   

Tracks: 2
Lovelight
   

 Lovelight

   Year: 2003   

Tracks: 11






Organic Audio was a forum for the spicy funk and vegetable-induced craziness of Andy Spence, half of the famed acidic malarky duette Freakniks. Resulting in the 1999 album, Endorse to My Roots, Spence's side project allowed him to explore his privileged Brazilian while not ignoring the tightly woven malarkey elements that he had contributed to the Freakniks. With a more percussive dance sound and fine songs like "The Sound of Okra," Organic Audio columba off from the majestic perch that the Freakniks inhabited and swam in a sick sea of humanity influences. Last One Home was issued in fall 2000.





Hollenthon | Download mp3

Friday, 22 August 2008

Mp3 Download: DJ Rap











DJ Rap




Artist: DJ Rap

   Genre(s): 
Drum & Bass







DJ Rap << Download mp3 music


Before emerging from the drum'n'bass resistance for a major-label transcription contract in 1997, DJ Rap was long unrivalled of the best mixers in the business, as comfortably as one of jungle's c. H. Best (if unpretending) producers. Born Charissa Saverio in Singapore, she played out her puerility living in several exotic locales about the world (her stepfather was a luxury-hotel handler) in front subsidence in Southampton, England, as a stripling. While perusing to be a solicitor, Saverio became mired with the British gush scene and presently graduated from club dylan Thomas Kyd to running as a producer and mixer. Among her first released tracks was 1990's subway system breakbeat favorite "The Adored" (as Ambience), recorded with Jeff B. and released on Raw Bass Records. She knowledgeable how to mix spell promoting a record on the East London literary pirate ship station Rave FM and made her paper a few years by and by after standing in for Fabio for a last minute expansion slot at the Astoria. Rap continued to convey out and launched assorted hardcore/jungle classics of the early '90s, including Engineers Without Fears' "Unearthly Aura," recorded with Aston Harvey (later of the Sol Brothers and Freestylers). DJ Rap formed her possess admixture agency, spinning it into the Proper Talent phonograph recording mark as well. Signed to Sony's Higher Ground subsidiary in 1997, she released her low album, Erudition Curve, two age by and by. The ruffle album Dauntless New World (a co-headlining gig with Kenny Ken) followed in 2000, and the combination Classics appeared 1 year by and by. Rap's future CD releases were pleat albums -- the double-disc set Touch Bass (Soar up), followed by Chemistry (Armani Music Exchange). She returned in 2005 with Bulletproof, still some other mix record album; this one boasted a vi newfangled productions amid the melt.







Discography:



Hardstep Come 4th-PTR025
   

 Hardstep Come 4th-PTR025

   Year: 2002   

Tracks: 2
Learning Curve
   

 Learning Curve

   Year: 1999   

Tracks: 12








Kaisers announce small venue UK tour

Tuesday, 12 August 2008

London Symphony (Don Jackson)

London Symphony (Don Jackson)   
Artist: London Symphony (Don Jackson)

   Genre(s): 
Other
   



Discography:


Queen   
 Queen

   Year: 1994   
Tracks: 14


Rolling Stones   
 Rolling Stones

   Year:    
Tracks: 14




 





Arensky

Wednesday, 6 August 2008

Jan von Grafenstein

Jan von Grafenstein   
Artist: Jan von Grafenstein

   Genre(s): 
Acid Jazz
   



Discography:


13   
 13

   Year: 2006   
Tracks: 13




 





REVIEW: Hancock (12A)

SynSUN

SynSUN   
Artist: SynSUN

   Genre(s): 
Trance: Psychedelic
   Trance
   



Discography:


Unstoppable (cd2)   
 Unstoppable (cd2)

   Year: 2007   
Tracks: 12


Unstoppable (cd1)   
 Unstoppable (cd1)

   Year: 2007   
Tracks: 10


Unstoppable   
 Unstoppable

   Year: 2007   
Tracks: 22


Live at Z Beach Party Moscow   
 Live at Z Beach Party Moscow

   Year: 2007   
Tracks: 1


Live @ Z Beach party by T.L.N promo (Moscow)   
 Live @ Z Beach party by T.L.N promo (Moscow)

   Year: 2007   
Tracks: 1


Phoenix   
 Phoenix

   Year: 2006   
Tracks: 10


Tscd   
 Tscd

   Year: 2003   
Tracks: 15


The Sounds Of Cosmic Lifeforms   
 The Sounds Of Cosmic Lifeforms

   Year: 2002   
Tracks: 8


[1999] Full Power Of Goa   
 [1999] Full Power Of Goa

   Year: 2001   
Tracks: 6


Trance Singles Volume 1   
 Trance Singles Volume 1

   Year: 2001   
Tracks: 11


The Sound Of Cosmic Lifeforms   
 The Sound Of Cosmic Lifeforms

   Year: 2001   
Tracks: 7


The Singles CD volume 2   
 The Singles CD volume 2

   Year: 2001   
Tracks: 8


The Full Power of Goa   
 The Full Power of Goa

   Year: 2000   
Tracks: 9




 






KPFK makes room for pochos and much more

Five years ago, after being named the first Latino program director in the 50-year history of KPFK Pacifica Radio, Armando Gudiño took a call from a worried hearer. She was an old woman, he recalls, a staunch liberal who had given money regularly to the member-supported station, known for its progressive politics and from time to time chaotic infighting. Unaware whom she was talking to, the woman expressed concern about the new date of this Mexican American, who was born and raised in L.A. and held a degree in political skill from Cal State Northridge. "We're worried because the Latinos are taking over," she confided. "So mayhap it's better if this young human being goes back to Mexico and works over there."Gudiño, who never let on who he was, recalled the conversation this week with a sense of humor and twinge of irony, noting that regular the charles Herbert Best liberals can be coloured. But it wouldn't be the last time, he says, that someone uttered concern virtually the station becoming "likewise brown."



At a time when other populace radio stations of the Cross in Southern California receive moved away from ethnically oriented computer programing, KPFK-FM (90.7) prides itself on shows aimed at specific groups, such "Afro-Dicia," "American Indian Airwaves" and "Radio Intifada." Under Gudiño, Latinos are increasingly part of the conflate. It's no coincidence that the station kicks turned the celebration of its 50th day of remembrance year with a concert this Sunday at the Ford Amphitheatre featuring an all-Latino lineup, headlined by the satiric trio Culture Clash. Aside from its long-standing block of Saturday night music shows -- "Canto Tropical," "Canto Sin Fronteras" and "Travel Tips From Aztlan" -- KPFK broadcasts populace affairs computer programing in Spanish five years a week, something level commercial Spanish-language stations don't offer. And last month, Gudiño brought back Betto Arcos, the station's former music director, as the Tuesday horde of "Global Village," a daily world music show that had no Mexican at the mike. (Sergio Mielniczenko hosts a Brazilian show in one case a week on "Global Village.") KPFK even militia a prime drive-time expansion slot every Friday afternoon for a crazy crew of Chicanos wHO anchor a satirical exhibit called "The Pocho Hour of Power." (The terminal figure "pocho" is a intimate put-down ill-used by Mexicans to concern to the Americanized children of immigrants living across the perimeter.) The team, led by syndicated cartoonist Lalo Alcaraz, creator of the daily comic strip "La Cucaracha," will do at Sunday's fundraiser in a broadcast of live skits and parody songs they call "The Pocho Home Companion." L.A.'s brassy Latin fusion group Mezklah will too perform with a new expanded lineup. "I knew coming into this that it would be a priority for me to not only reflect our listeners and our city but to play an active character in providing opportunities for Latinos to be non only in front of the mike but besides behind the mike [as producers]," says Gudiño, world Health Organization calls himself "the straits pocho." "We have at this station right now over two dozen pagan nationalities delineate, including every Latin American country, with the exception of Costa Rica."Of line, the station is no interracial utopia. Racial issues have played a piece in past tense disputes over programming and management, including the late departure of general manager Eva Georgia, a native of South Africa wHO promoted Gudiño to programme director a year later she came aboard in 2002. They took rouse following the ouster of a previous administration accused of straying from the mission of serving a diverse audience in a bid for higher ratings. To some, that meant KPFK was trying to be like NPR. (Translation: Reaching out more to whites.)Today, non even Latinos fully backup the station's Spanish-language scheduling, expanded on Georgia's watch out. Some say it's a mistake to switch from English, which can alienate established listeners without necessarily gaining new ones. Overall, contributors and contributions have been gradually increasing over the last three geezerhood, according to a post representative. Ratings are true low at night for the Spanish-language public personal business shows, which discuss topics such as human rights, healthcare and "genocide through the breeding system." But Gudiño sees a singular opportunity to present reformist politics to the immigrant population, stressing to skeptics "the motivation to share the locus." Still, he hints that this experiment may be just a springboard to creating an all-Spanish public radio station in Los Angeles.Others conceive KPFK should stay focussed on the bilingual interview, that vast mass of pochos out there wHO speak Spanish, mas o menos, simply prefer their media in English. "I think that's the future," says Arcos, who hails from the Mexican state of Veracruz.Gudiño says a review of all the station's long hundred programs is underway, under new world-wide manager Sean Heitkemper, world Health Organization worked for many years at KJAZZ-FM (88.1). The focus will be on drive time, he says, when most people are hearing and the potential for more members, and thus more money, is superlative. He doesn't expect a retreat from Latino computer programing, though some shows may shift clip slot. "No, no, no, we desire to expand it, evolve it and improve it," he says. "We're looking at at this as an opportunity to rebuild."All of these unplayful issues testament be subject to skewering Sunday by the likes of Culture Clash and the Pochos. Alcaraz, the cartoonist, recalls being invited to deliver the concert on a sister programme at the station, "Feminist Magazine." But, as he recalls, there was one caveat issued in an e-mail from the hosts: "Could you come as a female? We don't have work force on our show, as a rule. No offense."None taken. Alcaraz went on as his own complex number writer, Maria Torres, world Health Organization has loved comedy writing "ever since I was a short girl." Without even trying to camouflage his part, Lalo/Maria explained that behind every five-spot successful pochos there's incessantly a secure pocha. "Only at KPFK," the humourist deadpanned. agustin.gurza@latimes.com"The Clash of the Pochos" starts at 8 p.m. Sunday, at the John Anson Ford Amphitheatre, 2580 Cahuenga Blvd. E., Los Angeles. Tickets, $25, $35. Information, (323) 461-3673 or world Wide Web.kpfk.org.

Dimension Zero

Dimension Zero   
Artist: Dimension Zero

   Genre(s): 
Metal
   Metal: Death,Black
   



Discography:


He Who Shall Not Bleed   
 He Who Shall Not Bleed

   Year: 2007   
Tracks: 12


Penetrations From The Lost World (reissued)   
 Penetrations From The Lost World (reissued)

   Year: 2005   
Tracks: 11


This Is Hell   
 This Is Hell

   Year: 2003   
Tracks: 10


Silent Night Fever   
 Silent Night Fever

   Year: 2002   
Tracks: 9




Dimension Zero came into organism in 1996 when the guitar team from Swedish alloy juggernaut In Flames (Jesper Strömblad and Glenn Ljungström) distinct to put unitedly a position project that would allow the pair to go after some of their more than fast-growing melodic interests. Considering the heave of In Flames' virulent alloy assault, this new project was due to receive wads of attention from Viking metallic element fans everywhere. The debut recording from Dimension Zero didn't disappoint these listeners. The debut mini-CD Penetrations From the Lost World was recorded that same year after drummer Hans Nilsson (Luciferior, Diabolique, Crystal Age) and singer Jocke Göthberg (Marduk) signed on to fill out the group's lineup (with Strömblad pull double duty on bass voice as well as guitar). Penetrations From the Lost World impressed many with its fast-paced and focussed riffing. The group as well received high simon Marks for their contributions to a geminate of tribute records (for Sepultura and Mercyful Fate).


Contempt potent supporting from the European metallic element press, it seemed as if Dimension Zero had run its brief row when Ljungström parted company with In Flames only months after Penetrations hit record store shelves. The quatern musicians resurrected the band in 2001, even so, and began working on the followup to their debut. In May of 2002, Century Media released Soundless Night Fever, a much longer, and more than developed record album from the quartette. The sophomore campaign was well-received, just with its membership actively involved in many former projects, the next of Dimension Zero remained unsealed. The most successful of their outside interests, In Flames unbroken identical busy patch atop the turn of the century, Nordic metallic element batch, basically assuring a spotty recording succeeding for Dimension Zero, one of the genre's most formidable position projects.